{"id":14772,"date":"2026-04-15T16:47:12","date_gmt":"2026-04-15T14:47:12","guid":{"rendered":"https:\/\/virtualnimuzej.aspira.hr\/?p=14772"},"modified":"2026-04-15T16:47:12","modified_gmt":"2026-04-15T14:47:12","slug":"pasko-alujevic-known-as-theodore-lovich","status":"publish","type":"post","link":"https:\/\/virtualnimuzej.aspira.hr\/en\/pasko-alujevic-known-as-theodore-lovich\/","title":{"rendered":"PA\u0160KO ALUJEVI\u0106 known as Theodore Lovich"},"content":{"rendered":"

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Pa\u0161ko Alujevi\u0107 was born in 1898 in Split, to Ivan Alujevi\u0107 and Ana, n\u00e9e Dvornik. Ana\u2019s father, Pa\u0161ko, owned a tavern and was a fervent supporter of the National Party. Painted proudly on the tavern ceiling was a Croatian flag with the checkerboard emblem.<\/span><\/p>\n

Ana and Ivan had a large family. According to Tomislav Alujevi\u0107 Grgas, Ana gave birth to twenty-four children, ten of whom survived to adulthood. Pa\u0161ko thus had four brothers and five sisters. Among them, the brothers Andrija and Ante stood out for their exceptional musical talent.<\/span><\/p>\n

Andrija and Ante sang in the Split choirs Guslar, Tomislav, and Zvonimir, as well as in the choir of the Croatian National Theatre in Split. They were also skilled hunters.<\/span><\/p>\n

Ante married Marija Kragi\u0107, the daughter of one of Split\u2019s respected landowners, who\u2014interestingly\u2014had been expelled from school because he refused to read and write in Italian, insisting instead on using Croatian. Her father, Jure Damjan Kragi\u0107, was not enthusiastic about giving his only daughter in marriage, as their well-off farming family did not consider themselves of the same social standing as the Alujevi\u0107s, who were tavern keepers. Marija had also graduated from the prestigious school run by the Sisters of An\u010dela (Sisters Servants of a Little Jesus) in the Dobri district, and her dowry amounted to two kilograms of gold. <\/span><\/p>\n

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Marica at school (fourt from the right in the first row)<\/p>\n

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Marica’s school report<\/p>\n

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Ante was friends with composer Ivo Tijardovi\u0107, who used Ante\u2019s romantic troubles as inspiration for the libretto of the operetta Splitski akvarel. The names Ante and Marija were changed to Ton\u0107i and Marica. One of the operetta\u2019s characters is also Pa\u0161ko, who had already emigrated by then, as Ton\u0107i mentions the dollars he sends from America.<\/span><\/p>\n

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Ante and Marica as fianc\u00e9s<\/p>\n

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Ante and Marica<\/p>\n

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Ante and his horse<\/p>\n

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One of the sisters, Slavka Alujevi\u0107, was an accomplished soprano and a respected dressmaker. The youngest brother, Ivo Alujevi\u0107 (born 1914), was a less gifted singer but gained recognition as a forward for the Split football club HNK Hajduk Split in the pre-war and wartime years.<\/span><\/p>\n

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Ivo Alujevi\u0107<\/p>\n

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\"\" Ivo as a soccer player<\/p>\n

 <\/p>\n

The family lived in the Lu\u010dac district of Split. A close family friend was composer and conductor Josip Hatze, who frequently visited their home on Rokova Street, where, as he liked to say, he had his own small \u201cchamber choir.\u201d As a true musician, he could not resist conducting such a family ensemble. At the age of seven, Pa\u0161ko\u2019s father sent him to sing in the boys\u2019 choir of the Church of St. Peter, which was later destroyed during World War II.<\/span><\/p>\n

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The Alujevi\u0107 Family<\/p>\n

 <\/p>\n

Of all the children, Pa\u0161ko was the only one who chose to venture out into the world. His family supported him by selling part of their land to fund his journey. In 1923, he went to Trieste intending to travel to North America. However, due to a misunderstanding with a friend assisting him, he was mistakenly put on a ship bound for Montevideo instead of the United States. At the time, however, all overseas destinations were commonly referred to simply as \u201cAmerica.\u201d<\/span><\/p>\n

In Montevideo, he initially worked in cold storage facilities and later in a chocolate factory, though he did not stay long with any single employer. One day, while passing by a cathedral from which singing could be heard, he approached the choirmaster\u2014an Italian\u2014after Mass. The choirmaster offered him a job as a gardener and a place in the choir, while also teaching him singing. This encounter proved decisive for his future artistic path.<\/span><\/p>\n

After two years in Montevideo, Pa\u0161ko managed to obtain the necessary documents and moved to Chicago. There he began a new chapter in his life and changed his name to Theodore Lovich. In Chicago, he sang with the Croatian choral society \u201cZora,\u201d where his teacher was the Russian-Polish opera singer Gabriel Chrzanowski. As early as 1927, Pa\u0161ko performed the role of the Sultan in the opera Nikola \u0160ubi\u0107 Zrinjski by Ivan pl. Zajc, staged in Chicago by the \u201cZora\u201d society.<\/span><\/p>\n

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Pa\u0161ko, now Theodore in the USA<\/p>\n

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\"\"<\/p>\n

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In 1933, he went to further his studies at the Conservatoire International de Musique de Paris, and upon returning to the United States in 1934, he became a member of the Chicago Civic Opera Company. He performed numerous roles from works by Italian, German, French, and Russian composers. He was also a member of the opera companies International Opera Company, Festival Opera Company, and America Opera Company, as well as the distinguished ensemble Chicago Opera Quartet (Giuseppe Cavadore, tenor; Mari Barova, contralto; Barbara Darlys, soprano; Theodore Lovich, bass-baritone).<\/span><\/p>\n

The American press devoted considerable attention to him in the mid-1930s. Herman Dervies of the Chicago American (November 13, 1934) praised Pa\u0161ko\u2019s (Lovich\u2019s) debut, writing that he was a bass-baritone from whom much was expected.<\/span><\/p>\n

Numerous newspaper reviews followed:<\/span><\/p>\n

\u201cDuring the June performance of Gounod\u2019s Faust<\/span><\/em> at Kimball Hall, organized by the \u2018International Grand Opera Company,\u2019 the remarkable talents of this distinguished Croatian baritone came fully to the fore. He demonstrated exceptional acting ability\u2026 brilliant vocal power and authority.\u201d \u2014 Novi Svijet<\/span><\/em>, February 1932.<\/span><\/p>\n

\u201cTheodor Lovich distinguished himself in one of the smaller roles, that of the Doctor, as a discreet and imaginative artist.\u201d \u2014 Eugene Stinson, Chicago Daily News<\/span><\/em>, November 15, 1934.<\/span><\/p>\n

\u201cTheodor Lovich, bass, contributed an impressive performance of an aria from Prince Igor<\/span><\/em> (Borodin).\u201d \u2014 Musical Leader<\/span><\/em>, July 13, 1935.<\/span><\/p>\n

\u201cA new voice, that of Theodor Lovich, enchanted the audience last night.\u201d \u2014 Courier<\/span><\/em>, Ottumwa, Iowa, March 5, 1935.<\/span><\/p>\n

\u201cAn outstanding performance was that of Theodor Lovich as a truly diabolical Mephisto.\u201d \u2014 Joplin Globe<\/span><\/em>, February 28, 1935.<\/span><\/p>\n

\u201cThe Chicago company brought to Lincoln a cast composed entirely of stars\u2026 Theodor Lovich, bass, who excelled in the role of the King of Egypt, and Reinald Werrenrath, the well-known baritone\u2026\u201d \u2014 Lincoln State Journal<\/span><\/em>, May 7, 1935.<\/span><\/p>\n

\u201cTheodor Lovich as Mephistopheles proved himself the possessor of a powerful, resonant voice, easily capable of ominous domination of the stage at every appearance.\u201d \u2014 Salina Journal<\/span><\/em>, February 21, 1935.<\/span><\/p>\n

\u201cMr. Lovich made a strong impression with his interpretation of compositions by Manna Zucca (\u2018I Love Life\u2019) and Bruno Huhn (\u2018Invictus\u2019). His powerful bass-baritone was elevated by his dramatic abilities.\u201d \u2014 South Bend Tribune<\/span><\/em>, February 19, 1936.<\/span><\/p>\n

\u201cAmerican critics have often mentioned and praised the Yugoslav singer Theodor Lovich, and rightly so; last Friday he received ovations in The Bartered Bride<\/span><\/em> in the role of Michu.\u201d \u2014 Ned\u011bln\u00ed Svornost<\/span><\/em>, December 6, 1936.<\/span><\/p>\n

\u201cLovich, celebrated for his roles in Faust<\/span><\/em> and Martha<\/span><\/em>, offered an ideal bass-baritone\u2026 His interpretation of \u2018The Volga Boatmen\u2019 brought freshness to that well-known Russian song.\u201d \u2014 Mining Journal<\/span><\/em>, Marquette, Michigan, February 26, 1936.<\/span><\/p>\n

\u201cA crowd estimated at 24,000\u2026 listened to the equally impressive Theodore Lovich in the role of the Bonze, a majestic and awe-inspiring priest.\u201d \u2014 Isabel Morse Jones, Times<\/span><\/em>, August 27, 1937.<\/span><\/p>\n

\u201cTheodor Lovich greatly contributed to the brilliance of the performance\u2026 he succeeded both musically and dramatically.\u201d \u2014 Cedar Rapids Gazette<\/span><\/em>, May 6, 1937.<\/span><\/p>\n

\u201cTheodore Lovich was convincing as the Egyptian king; he developed his role in a way that truly served the whole.\u201d \u2014 Carl Bronson, L. A. Evening Herald-Express<\/span><\/em>, February 19, 1938.<\/span><\/p>\n

\u201cHe achieved tremendous success at his second concert. The program was excellent, and the voice rich and artistically shaped. His finest performances were the \u2018Monologue\u2019 from Mussorgsky\u2019s Boris Godunov<\/span><\/em> and the \u2018Leporello\u2019 aria from Mozart\u2019s Don Giovanni<\/span><\/em>.\u201d \u2014 Yugo-Slav Herald<\/span><\/em>, San Francisco, January 15, 1938.<\/span><\/p>\n

\u201cThe concert was so well attended that only standing-room tickets were issued. The engaging program, which included arias from beloved operas and songs in English and Slavic languages, was performed brilliantly by the artist.\u201d \u2014 News-Pilot<\/span><\/em>, San Pedro, February 18, 1938.<\/span><\/p>\n

Our Pa\u0161ko, now Theodore, first performed in Hollywood in 1938 at the famous open-air venue Hollywood Bowl. He liked California and settled in El Monte. Since Los Angeles did not yet have a permanent opera house at the time, he supplemented his income by singing as a soloist in the cabaret \u201cParisienne,\u201d where all waiters were required to be singers. He also appeared in two Hollywood films, I’ll Take Romance and Balalaika, and worked as a Russian-language translator at a shipyard in San Pedro, where Soviet ships were repaired.<\/span><\/p>\n

After World War II, he opened a music school and a vocal training studio in El Monte.<\/span><\/p>\n

In the late 1960s, he decided to donate the sheet music and instruments he had collected over the years to the Josip Hatze Music School in Split. The shipment was transported by the ship Ljutomer<\/span><\/em> from San Pedro directly to Split. His son, Tom Alujevi\u0107, compiled an inventory of the items sent in a wooden crate: a large quantity of sheet music, a new trumpet, and two violins\u2014one German-made and the other, reportedly, a Stradivarius violin from 1722.<\/span><\/p>\n

Upon the shipment\u2019s arrival, Pa\u0161ko received a letter of thanks from the school along with an invitation to visit upon returning to Split. Unfortunately, over time the violins and other instruments were lost, and they are no longer part of the school\u2019s holdings. Those who had witnessed the events were unable to clarify the circumstances of their disappearance. <\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

After this disappointment, Pa\u0161ko Alujevi\u0107 never returned to his hometown.<\/span><\/p>\n

He died in 1984 in California, where he was also buried.<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

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\"\"<\/p>\n

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\"\"<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

Information and photos courtesy of: Neven Alujevi\u0107<\/p>\n

Edited by: Branka Bezi\u0107 Filipovi\u0107<\/p>\n","protected":false},"excerpt":{"rendered":"

  Pa\u0161ko Alujevi\u0107 was born in 1898 in Split, to Ivan Alujevi\u0107 and Ana, n\u00e9e Dvornik. Ana\u2019s father, Pa\u0161ko, owned a tavern and was a fervent supporter of the National […]<\/p>\n","protected":false},"author":1,"featured_media":14719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[],"class_list":["post-14772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-usa"],"yoast_head":"\nPA\u0160KO ALUJEVI\u0106 known as Theodore Lovich - Aspira Virtualni Muzej iseljeni\u0161tva Dalmacije<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/virtualnimuzej.aspira.hr\/en\/pasko-alujevic-known-as-theodore-lovich\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PA\u0160KO ALUJEVI\u0106 known as Theodore Lovich - Aspira Virtualni Muzej iseljeni\u0161tva Dalmacije\" \/>\n<meta property=\"og:description\" content=\"  Pa\u0161ko Alujevi\u0107 was born in 1898 in Split, to Ivan Alujevi\u0107 and Ana, n\u00e9e Dvornik. 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